Teaser: Karigurashi no Arrietty

When I heard last year that Hayao Miyazaki's* next project would be an adaptation of Mary Norton's (a children's book writer) The Borrowers, I wasn't sure I'll be thrilled. I remember feeling not too pleased with their adaptation of Howl's Moving Castle, but hopefully with no last minute director swapping, the plot will not suffer this time. Besides, I am unfamiliar with Norton's work and I currently have no strong feelings attached to it being adapted.

But more importantly, after Ponyo, it looks as though Ghibli is going back to that absolutely lush animation style which I first fell in love with as a kid watching My Neighbour Totoro. The teaser trailer is also one which I'm insanely obsessed with already - those few shots of the house and the tempting way which the borrower (i.e. the little pixie like person) is blocked off from the screen by the big leaf is a major draw for me already, not to mention that it has a suitably haunting theme song to go with it. It's well teased, this teaser. But I add that I'm usually a sucker for Ghibli productions anyway, so it won't take much to make me this excited. Unless it's Ponyo again of course.

So yeah. Enjoy.
*Ah. My mistake. Karigurashi no Arrietty is directed by newcomer Hiromasa Yonebayashi. Screenplay is by Hayao Miyazaki though.

The Film that Might Have Been

And so, in an alternate dimension, an altenate me might have been watching the Mamoru Hosoda version of Howl's Moving Castle had he stayed on with Ghibli for the length of the project. It looks to me like it would have been a more faithful adaptation of the book and looking at the storyboards, I can't help but wish that he had completed the project.

The picture above is actually a scene that existed in the book, though of course there are slight differences. The one below that shows the Witch of the Waste is also closer to the way her physical appearance appeared in the book. The man (I suspect he's Gaston) obviously can't be Howl. If you've watched the Miyazaki version or read the book you'll know what I mean.

What do you all think?

credits for images: http://www.pelleas.net/aniBBS/viewtopic.php?t=400&sid=0b4150aa477a9687252ab4d3e0f2369f

Your 'if' is the only peacemaker, much virtue in 'if'. - As You Like It

Now that my arduous three weeks of revision and exams are over, I am so looking to using my brain for happier things. Cheers for the holidays!

Poster Talk: Ponyo on a Cliff

image source: http://www.ghibliworld.com/news.html

More anime posters! This one is from Studio Ghibli's latest fare, Ponyo on a Cliff, directed by the venerable Miyazaki Hayao of Spirited Away (Sen to Chihiro no kamikakushi) and Howl's Moving Castle (Hauru no ugoku shiro) fame. Word has it that he is going back to his roots too, and CGI will take a back seat... wait. this sounds familiar... Anyway, it is true that unlike his last 3 works, Princess Mononoke, Spirited Away and Howl's, Ponyo will feature more hand-drawn water coloured art.
Anyway, what you see up there is most likely the official movie poster for the film as so far, what's released on the net appear to be colour sketches for the film and unlikely as poster material. The guy in the middle is Suzuki Toshio, the publicity guy and producer for many many Miyazaki films, since Miyazaki has a habit of not talking to the press. Nevertheless, back to the topic.

The Ponyo poster is cute. Er. Actually, when I saw this, I got into a sulky mood since this really doesn't say anything more about the film than what fans I suspect, already know (namely, that it is about a 5 year-old boy who rescues a goldfish princess). Well, actually it does. The target audience seems to be about five years old. Darn. The sulky mood as some might have guessed is that the film really seems too kiddy for me to enjoy, which is sad. The theme song is also highly simplistic, almost like a nursery rhyme. Ungh. I'm almost worrying that this will end up something like Panda! Go Panda! which is beyond kiddy. Even young-at-heart adults would have found that painful to watch.

The poster's candy colours are appealing though. After the muted palettes in Spirited Away and Mononoke-hime, there seems to be a move towards pastels and bright pinks and yellows and blues - Howl's coat was...colourful to say the least, though echoes of the intricately decadent design from Spirited Away lingers in some of the scenes. Here, in Ponyo, I think there will be less of that decadence and rich art and that it'll look looser in design. I think the deep red from Mononoke and Spirited Away will also be taking a step back, if not from most of the film, it will be in the advertising. Besides, red is really too strong a colour when advertising for children.

Am I being subjective?
Yes.

At any rate, I am wondering if I will be giving this film a miss. Haha. Who am I kidding?

The Book Post: House of Many Ways preview

image: http://www.fantasticfiction.co.uk/w/diana-wynne-jones/house-of-many-ways.htm

Hohoho. The sequel to Howl's Moving Castle.
I'd actually heard about this late last year, but didn't want to be too happy till the news was official. And you can't get any more official when the cover's out.

The book will be released in May/June 2008, which is...really soon! I hadn't expected it to be so fast, since the news was still pretty much the kind of "I heard so and so say so" sort of rumour. At any rate, I just want to blabber on about the cover for a bit.

Firstly, I was hoping for a more exciting cover. Or something with curly font, and this cover, with its straightforward vertical lines and realist style just doesn't do for a author who has had a habit of breaking stuffy societal conventions. Secondly, just because she is British, and her characters speak with (I can imagine) a crisp upper-class-ish accent (Chrestomanci) doesn't mean they would like that apalling Victorian era yellow wallpaper print on the bottom half of the cover. In other words, this cover is boring, even if I have to admit that this gradual melting of wallpaper prints into multiple doors is a rather nice concept.

On the other hand, I see what might be an homage to Miyazaki and the animators at Studio Ghibli. If you squint at the top right corner of the cover, you'll see this castle-shaped blot that looks suspiciously like the ramshackle thing Howl puts together in Hauru no Ugoko Shiro, right down to the turrety things rising out of the mist, and which seems to echo the opening scene of the film.

The great thing is, obviously, there is another DWJ book out to read really soon. I can't really be bothered about the cover (yeah right) so long as there is something inside to read, though a nice cover that does justice to the book contents really helps too. Of course, i can't say what the content of this book would be like, but I'm crossing my fingers that it'll be good...

In other news, fans of Mamoru Oshii, long time rival and some time collaborator with Hayao Miyazaki would be pleased to know if you haven't already known, that his new film, Sky Crawlers is due to be released some time this year.

Observations

me: Excuse me, do u have the Studio Ghibi box set?
salesperson: Hah?
me: Studio Ghibli box set.
salesperson: .... Studio Jimmy?
me: you know. Japanese animation? Spirited Away? Howl's Moving Castle?
salesperson: We don't sell here...
__________________

salesperson: Oh. sold out.

.............

Good grief. And that is why, ladies and gentlemen, mini skirts are a stupid invention. (You'll never see me in one) You can't run for the train with them. Well, maybe you can. propel yourself forward by kicking out stiff-kneed without your feet actually leaving the ground. Think can can with reluctant leg kicking.

.............

Train

After sulking all morning and letting myself getting all pissed for stupid reasons, I'm feeling better (and benign), hence I might as well blog about the mime performance I went to watch and was blown away by...

First things first, The Train, by Dramatic Company Cho-In is a South Korean mime performance brought in specially for... you guessed it, the Singapore Arts Festival! Wheeee! When I first saw the poster and it said "festival outreach programme", I was convinced and prejudiced (with reasons of course) into thinking it was a kiddy show... The poster showed a bunch of mime artists typically painted inn the usual clownish manner and that the programme said it featured a "magician couple" made me think: this is for kids. The number of kids being brought by their yuppie aunties and parents to the show didn't make me feel any better, not to mention, instead of distributing the programme at FOH, they were giving out fliers for other shows... I had to go to the flier rack at the sistic counter in Esplanade to get it. =(

In any case, The Train is for kids the way Spirited Away is for kids. In other words, you wouldn't feel as embarrassed as you would normally feel if you were watching, say, Ronald MacDonald on your primary school stage... Speaking of Spirited Away, does anyone remember the faceless train conductor from the film? There are some eerie similarities between the conductor and the station master in the mime act... Both of them were stern sorts.. and faceless. If I happen to find a picture of the station master from The Train, it'll go up here and you all can compare. There must be something universal about train conductors/station masters...

Note: The picture on top isn't the train conductor from Spirited Away, but this is the closest I could get to finding a match....

See the resemblance?

Apart from that, the performance was really good... Not one word, but my attention was gripped throughout the whole show. Then, there was the scene where it snowed, well, fake snow of course... but still, it was very pretty. And you wouldn't believe the acting... I think it's pretty hard for a girl to play a bratty little boy. Yup. Not easy at all, but you'll believe that it was a boy and girl on stage where they are still obviously female actors...

Dungeons & Dragons

There is a new Studio Ghibli film in progress. Although the film may never be released in cinemas in Singapore, I have come across a trailer for the film online. It looks promising, though knowing how they have a tendency to twist source material to their own themes and interpretation, I hope it'll still be good. A trailer does not reflect the film in it's entirety after all.

Entitled 'Gedo Senki", it is based on Ursula le Guin's Earthsea series. Those were entertaining books which were also mercifully short for something so obviously on an epic scale. Recall Lord Of the Rings, only more condensed, though the action is no less grand or vivid as Tolkein's Middle-earth. I think that if I were 12 when I read the Earthsea series, I would have been blown away by it...

In any case, the trailer certainly seems to indicate a film that deviates from the latest Miyazaki fare involving grandiose flights of fancy; of spirits, wizards, and mechanical contraptions. Of course, the Earthsea world isn't as filled with pretty elegance as Kingsbury or bureaucrats in suits, which might explain the more sparse and natural scenery. The director has also made it a point to keep the background and action simple so as to focus on the characters. Set in an archipelago setting, le Guin's Earthsea books are really a cross between LOTR and jedi lore. Sort of. As it is, being Goro Miyazaki's debut film, he has a lot to live up to, especially with a father who is already established as a master of animated films...

Hauru no Ugoko Shiro (It's Japanese, not gibberish)

Yesterday, I watched Howl's Moving Castle. My DVD player is nuts - yesterday, the disc worked perfectly, even though we decided to skip the beginning, because we had watched it at least 5 times without getting any further due to that mysterious error in the sound.

Surprisingly, I enjoyed the show far more than I did the first time watching it, which is rather strange. I really loved Spirited Away, and the film never fails to amaze, despite mine watching it several times already. The funny thing is when you watch a film and find it nicer and nicer with each watching; watching a well cherished film and lovin' it over and over again is well...nothing new.

Perhaps, one reason for this change is that watching the show from the comfort of my own home makes each scene funnier, more real and closer simply because I'm much more willing to laugh at it. It's true - I blame that horrid cinema for totally ruining my movie experience. It doesn't help if the cinema was cold, draughty and too empty, or that the sweepers were standing right next to you before the show had ended properly or that your sister kept shushing you throughout the show dampened the entire affair.
I might have to explain that last reason - since Howl's Moving Castle (the movie) is based on a book of the same title, I found myself automatically comparing novel and film, mostly directed at my sister's benefit. You see how wrong I was.

As you can also see (or might have noticed by now), there are no big capital lettered words shouting "spoiler!" or "read with caution" that usually accompany my movie reviews. That is of course because this isn't a review of the film in the first place. Go watch the show. It's fantastic; I can honestly say that I enjoyed it. Oh by the way...it doesn't matter if it doesn't make sense. My theory is that to appreciate this film, you'll just have to accept what's given you. Which if I may add, is a lot - everything about it is just right, right down to the perplexing bits.

Note: This would have been a proper review, but my brain has fled in terror after having to review the film in Chinese for someone who still has holiday homework. It was shitty I can tell you. Can you imagine reducing one of your favourite films to broken Chinese? Ugh.

A second Note: My brain has just decided to compromise. The film can thus be described as whimsical, sweet, dark, entirely for romantics at heart (or heartless ;) ) and really...it's quite funny too. Not ha-ha funny, but still funny.