Murphy's Law or Plain Bad Luck

The title sums up everything about this film module I'm taking. Shoot me.

Time is EVIL

Not enough time. As usual. Who films and edits in one week? Considering we actually have absolutely no experience whatsoever with the editing programme, some really mysterious pixels and whatever other stuff that can't be put here for the sake of diplomacy. I'm supposed to be doing the immensely boring accompanying report and I hope my draft of it doesn't kill us all though if it sucks it is our fault for procrastinating. Huh. No time to yak more - here's a lovely orchre [I hate yellow] space for me to hide in, if only for a few minutes. I might even go for lunch after I leave. Hah!
Hey. Someone wanted an update. I'm ruined. But at least it's more than 2 sentences long. Only one person will get that line before this line, fortunately.

Pick Me!

These are my Lit paper questions. Pick one for me and tell me why you chose it. I think they're all horrible. That said, I still have to do them. I think I ought to watch Sympathy for Lady Vengeance for the first question. That said... I don't like Korean films...
The winner doesn't win anything obviously. Though if you like candy I'll get some for you. =D

1. Ibsen's Hedda Gabler forces us to see domestic frustration, disappointment, and fiasco as forms of violence against women in society. Discuss.

2. The title of Duras' film script, Hiroshima mon Amour [Hiroshima My Love], is equivocal about its proper subject: the address to "my love" can refer equally to an unnamed lover as well as to the proper noun 'Hiroshima', the city itself. Reflect on this ambiguity.

3. Discuss the language and attitude to the subject of love in any one of the following three poems:

Jonathan Swift's 'A Beautiful Young Nymph Going to Bed'
T. S. Eliot's 'The Love Song of J. Alfred Prufrock'
Leong Liew Geok's 'Love Songs'